Six student jewellery design projects that explore identity

Six student jewellery design projects that explore identity

Dezeen College Shows: we have picked 6 pupil jewelry structure jobs featuring in Dezeen College Reveals that characterize the private identity of the designer.

These good art, silversmithing, product or service and jewelry style and design college students have created jewellery objects that express, rejoice or comment on a selection of socio-cultural subjects.

This roundup consists of neckpieces that reference African society, jewellery products that blend contemporary and regular craft procedures and add-ons that attract on well-known society.

The range of tasks appear from high-quality artwork, product or service design and style, jewelry design and style and silversmithing programs at worldwide establishments including College for the Imaginative Arts, Design Institute of Australia, ArtEZ University of the Arts, Istituto Marangoni London and Lucerne School of Art and Style.

Three images of afro combs and chain designs

Embracing Black by Fleuri La Belle Ngapy

Throughout their time learning merchandise style, Fleuri La Belle Ngapy developed a variety of jewellery for people with African ancestry that aims to reconnect wearers with their heritage.

The styles draw on traditional amulet chains and feature afro combs alongside metallic detailing and colored beads.

“Rising up mixed Dutch-Congolese in the Netherlands, Ngapy by no means experienced significantly link to their Congolese roots. This undertaking is about embracing their African roots and skin color,” stated Ngapy.

“As a human being of colour, Ngapy has generally felt out of put in the white, western-dominated entire world. They built a series of amulet chains that signify ancient Congolese cosmology and non secular paint rituals for the wearer to embrace their skin colour and African ancestry.”

College student: Fleuri La Belle Ngapy
University: ArtEZ University of the Arts
Training course: Item Structure ArtEZ

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Model wearing a white jewellery piece placed on the bridge of the nose

Tree Imprints by Maria Jantina Geuke

Student Maria Jantina Geuke took cues from the structure of trees, tattoos and nature-primarily based religions among the other sources for her selection titled Tree Imprints.

She applied a mixture of contemporary 3D printing technological know-how and regular craftsmanship practices.

“The pieces encapsulate a raw piece of pine to worship the product world and as a image of how valuable nature is,” said Geuke. “The pinewood is turned into tattoo ink by a burning ritual, fusing the tree with the skin as a lasting reminder that we are element of nature.”

Scholar: Maria Jantina Geuke
College: ArtEZ University of the Arts
Program: Product Design ArtEZ

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Chrome by Emily Playne

Jewellery structure scholar Emily Playne takes advantage of responsibly-sourced and ethically-processed gemstones in their Chrome assortment.

The pieces centre on the variety and color of just about every stone and pay back shut focus to their composition inside every piece.

“Playne curates their fantastic jewels as an artist would paint a blank canvas by utilizing colour, variety and shape,” stated Playne. “Each jewel is embedded with a sentimental value developing a further link only felt by the wearer.”

Pupil: Emily Playne
College: Istituto Marangoni London
Program: MA Great Jewelry Structure

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A collection of jewellery laid on rocks by student at Design Institute of Australia

In-Tension by Lorissa Toweel

Fine Art pupil Lorissa Toweel designed a selection of bronze, brass and silver rings and necklace pendents that are a byproduct of the interaction involving maker and product.

The pieces are the outcome of one particular of two central techniques – fabrication and missing-wax casting – which consequence in experimental and incidental aesthetics and sorts.

“[My] do the job signifies her vision and the collaboration involving substance and maker. Parts are reimagined and fashioned into wearable objects where by versatility, brittleness and fluidity are honoured in every casting,” stated Toweel. “[My] structure tactic signifies a exclusive and open up mindset in direction of sustainability and collaboration.”

Scholar: Lorissa Toweel
College: Structure Institute of Australia
Course: Bachelor of Fantastic Artwork at Queensland University of Art Griffith College

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Hyper-Femininity – Suggest Lady does Jewelry by Shari Eva Kalmar

Shari Eva Kalmar made a assortment of “subtly exaggerated components” centered on the 2004 film Indicate Women throughout their time as a jewellery design and style student.

The pieces examine the stereotypes encompassing hyper-femininity by exposing certain aesthetics and behavioural attributes affiliated with female tradition.

“By exploring the visual characteristics of these stereotypes and contemplating how they relate to character traits and styles of behaviour, subtly exaggerated components have been made,” explained Kalmar. “Emphasising unique materialities – actual hair, faux fur, mom-of-pearl – system parts and approaches of carrying them, preconceptions about hyper-femininity have been elaborated to encourage an unbiased viewpoint on present-day photos of femininity.”

College student: Shari Eva Kalmar
University: Lucerne School of Art and Design
Class: Bachelor XS Jewelry

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Figure wearing chunky necklace while washing their hands

Necklace by Hannah Norris

Jewelry and silversmithing college student Hannah Norris intended significant-scale neckpieces that remark on the notions of wealth, class and other societal structures.

Chains are built from one of a kind elements like graphite and soap, and characteristic exaggerated charms that deepen their symbolic meanings.

“The preference of material is vital bodily, visually and symbolically. Typically carved, the selected material is acquainted, however presented in an unfamiliar way,” stated Norris. “The chains are over-sized and hard to use owing to their transient nature. But they also ameliorate every single other – the present-day sequence of neckpieces of graphite, cleaning soap and holy wafer stand for concepts of sin, repentance and absolution.”

College student: Hannah Norris
Faculty: College for the Artistic Arts
Program: BA (Hons) Jewellery & Silversmithing

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Partnership articles

These tasks are offered in university demonstrates from institutions that companion with Dezeen. Find out more about Dezeen partnership content in this article.